The Paradox of More: Why Less Gear Means More Impact
Buying Too Many Cameras

The Paradox of More: Why Less Gear Means More Impact

There's a moment in every creator's journey when they realize something profound: the more options they have, the less they actually create.

I've lived this contradiction firsthand. Surrounded by carefully organized camera bags, backup lenses, spare batteries, multiple microphones, and enough accessories to fill a small studio, I found myself paralyzed. Not by lack of capability—by abundance of it.

My mother said it simply: "The more choices you have, the less you take action."

She was right.

The Weight of Infinite Possibilities

When I started building my kit, it seemed logical to maximize flexibility. Every situation demanded its own solution: a 24-70mm lens for coverage, a 70-200mm for reach, a 20mm for immersion. And then the accessories—ND filters, microphones, backup power banks, extra cards. The arsenal grew, and so did something unexpected: hesitation.

This is the paralysis of analysis in its purest form. Before each shoot, instead of moving and creating, I was deciding. Which lens? Which backup? What if I need this? What if that situation appears? The mental bandwidth consumed by equipment decisions was directly proportional to the energy stolen from creative decisions.

Every minute spent choosing gear was a minute not spent thinking about story, composition, light, or moment.

The irony was brutal: I had built the perfect setup for everything, which meant I was optimized for nothing.

One Bag. One Weapon. One Vision.

Then something shifted. I started experimenting with constraint. One camera. One primary lens—my 24-70mm. Batteries. Memory cards. That's it.

The change was immediate and visceral.

Without the burden of infinite options, decisions became reflex. I moved faster. I reacted to moments instead of contemplating them. The creative mind, no longer overwhelmed with logistics, suddenly had space to think about framing, timing, storytelling.

I became mobile. Reactive. Alive.

This isn't about lacking options entirely. This is about the philosophy of KISS—Keep It Simple, Stupid—but applied to the most important thing: my ability to execute.

Why Simplicity Is a Superpower

The equation seems counterintuitive because we've been trained to believe that more options equal more freedom. But freedom isn't about infinite choices; it's about the clarity to choose decisively.

Efficiency = Simplicity = Freedom = Action.

When you strip everything down to essentials, something remarkable happens: you stop justifying your decisions and start making your art. The camera in your hand becomes an extension of your vision, not a compromise between dozens of alternatives.

The photographer with one perfect lens often produces better work than the photographer with ten lenses and endless second-guessing.

The Strategic Backup

This doesn't mean being reckless. Yes, I keep backup gear—extra batteries, a secondary memory card, a contingency lens. But here's the critical distinction: backup is not for every shot. Backup is for disaster.

Backup stays secure and accessible. It's insurance, not inventory. When you walk out with your primary kit, you walk with decisiveness. You know your tool. You know its limitations. You work within them creatively rather than around them.

The gear you carry on your body should be the gear you use. Everything else is dead weight disguised as security.

What I've Learned

Over the past weeks of intentional simplification, several truths have emerged:

The best camera is the one you're confident enough to use instinctively. The best setup is the one that lets you think about your story instead of your settings. The best creative output comes from working within constraints, not against them.

I've filmed documentaries with less gear and produced work I'm prouder of than when I had more tools at my disposal. My 20-minute shoots with minimal equipment contain more authentic moments than my over-prepared days with a full array of backup systems.

Technical perfection is not the point. Impact is.

A Message to Creators Overwhelmed by Choice

If you're drowning in options, suffocating under the weight of "what if," paralyzed by infinite possibilities—hear this: you don't need more. You need less.

Your creativity isn't limited by your gear. It's liberated by your clarity.

Choose one camera. Choose one or two lenses that make you feel like a filmmaker. Choose the batteries and cards you need. And then—and this is crucial—stop choosing and start creating.

Keep your backups close. Keep them strategic. But stop carrying your entire arsenal into every moment.

The best creative breakthroughs happen not when you have more options, but when you have fewer distractions. When your mind isn't split between decision trees and artistic vision. When you move with purpose instead of possibility.

The Real Freedom

Backups are available when you need them. But what you carry in your hands is intention. What you see through your viewfinder is clarity. What you create is uncompromised by the burden of infinite alternatives.

Efficiency equals simplicity. Simplicity equals freedom. Freedom equals action.

My mother saw it in one phrase. It took me weeks of experience living it to truly understand.

Less gear. More creation. That's the real paradox of the creative life.


EYEnTRUE is a documentary and visual storytelling project exploring the intersection of creativity, constraint, and authentic expression. Follow the journey at EYEnTRUE.com


Available for documentary commissions in the Middle East.
Nikon Z9 | DJI | Cinematic storytelling for brands, NGOs, and cultural projects.
Contact: contact@eyentrue.com